Playlists 

We are very excited to present our first release "Prelude" RU001. This exceptional record marks the beginning of a new era in minimal electronic music, fusing the creativity of Lucas Moss with the unique interpretations of Vlad Arapasu and Nu Zau. "Prelude” is more than an album; it is a testament to our commitment to change and evolution in musical culture. This journey of original sounds reveals our vision of embracing art in all its forms, contributing to a cultural change on a global level. On the two original tracks by Lucas Moss, we explore the depths of change and transformation. Vlad Arapasu brings his unique perspective with a remix that captivates, while Nu Zau features a vibrant and joyful remix that redraws the boundaries of the dancefloor. “Prelude" symbolises a trip where change and purification can be achieved by bringing just a little bit of light into the darkness. The vocals symbolize the intuition we all have but which is sometimes dormant. Cumacanga express our shadows; we recognize that without them, the light would not shine as brightly. This release is our call for change, innovation and the continued support of art in all its forms. Join us on this journey, where minimal electronic music becomes the way to transcend barriers and create a permanent impact on the world of art. Together, we start the journey with "Prelude" RU001, and this is just the beginning...

Sasha returns with atmospheric gem 'How to Wear Raybans Well' Featuring remxes from heavyweights Roman Flügel and Nathan Fake.

Electronic luminary Sasha has had a busy 2024 that has so far yielded standout collaborations with the likes of Super Flu & Sentre and a solo single 'Florian Drift' that proves he remains at the cutting edge. His Last Night on Earth label continues to serve up a rich mix of melodic house and techno from the most exciting names in the scene and this latest solo single finds the boss head into new realms once more.

The superb 'How to Wear Raybans Well' is awash with fizzing dub chords and electric lines that flash about the mix. The deep rooted drums have a subtle bounce as they serve to sweep the floor off its feet and lock them into a state of melodic techno bliss.

First to remix is Nathan Fake, a UK talent who has always had his own unique sound. It's based on his mastery of synths and melody and has arrived on labels like Ninja Tune and Border Community as well as his own Cambria Instruments. His remix ups the ante and strips things away to bring more defined drums and crisp hits. The synths bring a range of emotions as they unfold with a mind of their own throughout this most captivating track.

Roman Flügel has been an ever present in the electronic world almost since the start. The German's output has covered endless ground from micro house to acid to techno on the most tasteful labels from his own Playhouse to Mule, Dial and Live At Robert Johnson. His remix is timeless surging techno that comes with waves of warming synths and unrelenting drum pressure designed for peak time dance floor wig-outs.

the debut release of women’s brightest hope “polygonia” on mule musiq.

our friend&label artist “simone de kunovich” introduced her and she sent us
an excellent unique house music.

she sung,wrote the lyric, playing violin and flute.

a1 “upside down” reminds us bit early herbert style.unique melody and vocal.

a2 “eyes between letters” is kind of excentric afro brazilian deep house.we love this deep house.

b1 “beyond light and shade is like electronic version of midori takada or mkwaju ensemble.
it reminds us japanese 80’s kankyo ongaku.

b2 “complementary senses” is highlight of the release.very playful organic psychedelic mini-mal deep house.we think this kind of music is very rare these days.

so polygonia´s new 12nch is definitely on of the highlights on mule musiq in this year.
we love it so much!

Repress!

Mint Condition - A brand new record label focussed on excavating the outer fringes of classic House and Techno. Unreleased mixes, classics and overlooked gems mined from the last 20+ of contemporary dance music are the order of the day. From Chicago, Detroit and New York to London and beyond, Mint Condition have got their expert digging hats on to bring you exclusive heat and those rarer than rare jams that have been on your wants list for years! Dig in.... Another dyed-in-the-wool house classic here, from all the way back in the golden mists of 1987 on the tiny, cult Danica label. Don't forget, Mint Condition's mission is to bring you the classics too, a nice, new copy to play out in the club so you can keep your original nice and fresh! We care about these things. That's why we're happy to present this monumental slab of Chicago house history from one of the absolute gods of this culture - Mr. Frankie Knuckles - this time operating under his Night Writers alias. We're not sure too much needs to be said about this one, it's all here really, that classic Knuckles deep touch, the musicality, the vibe... Ricky Dillard's vocals encapsulating that feeling when the music takes over, pure abandon. The pairing of these two talents results in what would eventually become a bona-fide house CLASSIC. No arguments. If you're not familiar you're in for a treat, if you already know then you're nodding your head and agreeing with everything you've just read. Simple really - YOU NEED THIS ONE ! 'Let The Music Use You' has been legitimately re-released with the full involvement of all license holders for 2017 and remastered by London's Curve Pusher from the original sources especially for Mint Condition. 100% legit, licensed and released. Dug, remastered, repackaged and brought to you by the caring folks at your new favourite reissue label - Mint Condition!

Massive vocal driven Garage House pressure here, from way way back in 1992! Yes, 'Follow Me' is one of THOSE records, one that transcended genre boundaries on it's release and continues to do so today. A true classic piece of NYC goodness from back in the day. The super production team of DJ Pierre and george Morel could only deliver the heat and that's exactly what they did - created a timeless House record with the bassline that just doesn't let up! This is the sort of track that got hammered on the US House scene, found a home in the UK Garage world and got spin at almost any and all clubs where the DJ's had half a clue and an iota of taste! Containing the original 3 mixes released in '92 now's your chance to bag a bonafide, hands down classic record! 'Follow Me' has been skilfully remastered from all original master sources and fully licensed and reissued officially for 2017.

repress

Pleasure Zone proudly welcomes Silat Beksi from Ukraine to the Family! Well - his demo convinced us from the very first listening, so we decided to release two parts. The Gravity EP will be out in November - watch out for more!

Across these 8 tracks, Troy constructs a continuum between the mystical and the mechanical: deep, tunneling synth lines, evolving textures, and precise rhythmic flow pushing his punchy techno sound to the next level.

To submit or to surrender? Robert Johnson resident Oskar Offermann doesn’t have the answers, and that’s kind of the point. Things change: one moment you’re touring the globe as a recognizable face of one of the greatest clubs in the world, the next you’ve started a new life as a teacher. How do you handle that shift? On this record, Offermann doesn’t offer solutions so much as trace his own way through it, reflecting the whole process in his music and creative work.

Whatever the story, whatever the case, Oskar Offermann can still produce some of the most emotive, bleepy, strange dance music out there and this 12 inch is the proof. Sonically and conceptually it leans into that precise, melancholic German school: at points drawing from 80s wave and experimental music, then flirting with trancey motifs and closing in divinely crafted breakbeat. In just four tracks it packs in a surprising amount of functional range, exactly what you’d expect from one of RJ’s longest-standing residents. The A- and B-sides mirror each other: they open at full intensity, tempos pushed well past the 130 BPM mark, easy to imagine ripping through a peak-time floor – and still both sides land on something far more personal and reflective.

Even inside a framework of high-intensity club tunes, Oskar’s character shines through loud and proud. Think the slightly disjarring yet melodically captivating winds in the middle of the B1 trance induced number “Accepting”, or the masterfully paced build of opener “Planet Interface”. The same goes for A2 “Televise Improvise” and B2 “Sei mal nur lieb”: on paper they should feel like breathers next to the two behemoths, but they don’t. Offermann crams so much substance and personality into them that they become quietly dangerous. There’s that magical mix of squelchy acid, rough low end and naturalistic melodies on B2, and the relentless emotional drive of A2 “Televise Improvise”. Oskar is really, really good at making dance music irresistible.

Character, skill and honesty in one record, meant for the attentive listener and the brave DJ. A rare combination nowadays, get it fast!

Following on from a very successful remix for the label in 2024, Dilby delivers his second EP of deep hypnotic house grooves on Sublease. Dilby's Without You EP features three fresh cuts, all infused with his signature dance floor flavour. The title track is a bouncy slab of house goodness, balancing driving stabs with atmospheric pads. Stay True is in a similar vein, tough drums and spacy washes with some classic house groove and dubby percussive synths. The final track, Elevate, keeps the
vibe alight with more of the New Zealander’s trademark deep and slinky house and including a massive breakdown.

The fledgling Supremus is back to roll out a second edition of the London-based Frenchman Giom's classics series with three more carefully chosen cuts that underline his club clout. His own remix of 'As Darkness Falls' returns with warming chords and bright keys over a rolling groove and Apple Rochez vocal that oozes r&b appeal. 'Summerized' resurfaces after years out of reach with a more tight, tense groove and diffuse synth work that washes over the mix. Closing track 'Play On' leans into warm days and outdoor dancing with a nu-disco vibe that's effortlessly lush and absorbing, so it will likely be big all over again this year, especially after a fine remaster for 2026.

Carlo Karacho schwingt durch die deutsche Dub Diskothek wie ein Profi. Leichte Töne für harte Zeiten. So fängt er dich ein, bis er dich mit spielerisch durchdachten Texten durch einen krautigen New-Wave Dschungel in einen Trip-hop Himmel verschleppt und verzaubert. Tie me up, tie me down!

Dam Swindle tap Kerri Chandler, Louie Vega, Folamour, Cinthie & more on 100th Heist release.

The ‘House of House’ V/a takes in nineteen all-new tracks from some of house music’s most revered names and new-school talent.

Dam Swindle present ‘House of House’, a triple vinyl V/a compilation marking the one-hundredth release milestone on Heist Recordings, landing on 8th May 2026. Across nineteen all-new tracks, ‘House of House’ reads like a roll call of modern house royalty.
The compilation features contributions from scene legends and contemporary torchbearers alike, including Kerri Chandler, Two Soul Fusion (AKA Louie Vega & Josh Milan), Folamour, Cinthie, Kolter, DJ Sneak, and Supershy, the dance music alias of Tom Misch, alongside rising talents like Papa Nugs, Lolu Menayed, and many more.

From the old-school magic of tracks like Dam Swindle’s ‘Back to the Old School’ feat. DJ Minx and Kolter’s ‘Need U, Want U’, to the jazzy, soulful depths of Kerri Chandler’s ‘Kerriousity’ and Superhy’s ‘Pyrenees’, to the peak-time energy of Papa Nugs & Mixolydian’s ‘Let Go’ and Elisa Elisa’s ‘Coco Coco’, the compilation captures the full spectrum of house sounds that have shaped the world of Heist Recordings over the past 13 years.

Launched in 2013, Heist Recordings has become a high benchmark for quality house music – a home for legendary artists like Cinthie and DJ Sneak, and a breeding ground for new talent from Kassian to Make`z. Dam Swindle have cemented their place among the upper echelons of modern house, with three critically acclaimed LPs, collaborations with the likes of Kerri Chandler, Tom Misch, and a relentless tour diary.

‘House of House’ reflects the ethos that has defined our label since day one: a home for house heads who bring genuine soul to club music, whether they’re legendary originators or new-school up-and-comers. Heist’s one-hundredth release is more than just a number – it’s a testament to the community, creativity, and legacy we’ve built, release after release.

As always enjoy the music and play it loud.

Much love, Heist HQ

The amount of quality music Burnski has produced, A&Red and released in recent years is off the charts. His labels are some of the most played in the underground right now, but that hasn't stopped him from starting another one here with Silhouette. Mundy is a new name to us, but has some serious chops on display here with six stylish cuts that explore the intersection of garage, tech and minimal. The synths are silky and the vocal samples are expertly placed to give each groove real character. 'Real Love' is deep and r&b tinged, 'Find You' has a dark low end and 'The Middle' is all about the filthy bass. Pure heaters.

All tracks written & produced by Manuel Fischer

Mixing, engineering and mastering by Matthias Millhoff at Embeat Studios Berlin
Artwork by Skala Design, Guillermo Lucena & Jahn Koutrios

Particles of the oxymoron walking on a basalt canal, dazzled by the riot’s rays stilled, yet unsure.

A telepath counts the voices, a transparent monk whispers; and a silver nettle-bush dances, shivering in its quiet flame. All creatures born of love belong to Quanteen. W&P and produced by MYKI Vocals on Quanteen by Yaara Haim Artwork by O.neblina Mastered by Justin Drake Manufactured by KPM Distributed by KMA60

Seven years after the haunting resonance of Voids, electronic pioneer Martyn returns to the album format with Music For Existing. Arriving on 15 May 2026, the record is more than a collection of tracks; it is a profound exploration of what it means to remain devoted to a craft in an era of relentless noise.

The album’s announcement is heralded by the lead single "Heavy Sound." The track serves as the perfect bridge between Martyn’s past and present - a masterclass in tension and release that previews the album’s dialogue between the producer, the musicians, and the audience. We live inside a culture that has prioritised and monetised restlessness. The modern apparatus runs on the continuous production of "next," driven by algorithms that value novelty over depth.

Music For Existing serves as a love letter to the communal act of making music - something that is both healing and inherently defiant. For Martyn, a musician often finds solace in musical conversation with others; in the moment we press record, we simply exist together. This record is an invitation to build human infrastructure around what we love, leaning into the fluid nature of community and seeing exactly where the music takes us when we choose to listen.

The album is a sprawling, "off-the-grid" tapestry that echoes Martyn’s profound appreciation for jazz - free, instinctive, and bursting in every sonic direction. This collection features an expansive cast of collaborators, including Duval Timothy, Dan Only, Lucinda Chua, and Mark Cisneros. The record is further elevated by the contributions of jazz talents Mischa Porte and Cees Bruinsma, alongside the evocative words of writer and poet Musa Okwonga.

While the acoustic textures and improvisational spirit of this record may feel like a departure, they represent a homecoming. Jazz has always been ingrained in Martyn’s work; even in his most stripped-back club tracks, the DNA of swing, syncopation, and free-form structure was always present, if not always visible.

Music For Existing marks the beginning of an exciting journey that will continue from the studio to the stage, celebrating the radical act of existing in the moment.

James Ruskin's Blueprint Records continue the 30th anniversary with another label stalwart as Mark Broom returns with his new EP, "Reality Check".



Mark Broom is a renowned British techno DJ and music producer whose career spans over three decades. Throughout his career, Broom has released over 150 singles, showcasing his versatility across various sub-genres of electronic music. He has collaborated with esteemed record labels such as Defected, Rekids, Warp, Ifach, M-Plant, Cocoon, Glitterbox and his own Beard Man (launched in 2009).



In addition to his solo projects, Broom has engaged in numerous collaborations. He partnered with James Ruskin to form The Fear Ratio, exploring experimental sounds that blend elements of hip-hop, IDM and techno with four albums (to date) on Skam Records, Tresor and of course, Blueprint. Another highlight has been their "Ruskin & Broom" EPs which have peppered the label's roster.Now based in Norfolk (England), Broom continues to be a driving force in the techno scene.



His work has been described as ranging from "club-ready techno and house to left-field electro, downtempo and IDM" highlighting his adaptability and broad musical range.? Returning to his driving Techno roots, his "Reality Check" EP is an essential release for fans of both Broom and Blueprint.

UK bass music mainstay and SK1 Records co-founder, Synkro, links up with composer and sound design specialist, Tom Jarmey, for their debut combined effort on Of Paradise, minting their new musical alliance with North Star, an emotionally charged and lushly melodic collection of detail-driven club cuts.

Deftly joining the dots between drum 'n' bass, jungle, and trip hop, the duo serves up three original numbers, backed by two exquisite remixes from none other than Pugilist and label co-founder Silent Era, who meticulously distil the source material to produce a mixture of swirling breaks, dub techno, and atmospheric ambient stylings.

Available as a limited edition 12” and digital EP, North Star sees Synkro and Tom Jarmey combine to lethal effect, pooling their diverse influences together to fashion a trio of wide-eyed, hypnotic, and high-grade gems that give a nod to the most potent of ‘90s gear whilst being 100% future proofed.

French composer and sound artist Franck Vigroux returns to raster with a new album called »Sonnailles«, set for release this spring.

Conceived as a sequence-driven work, »Sonnailles« unfolds through a series of tightly
structured musical passages interspersed with fragments of voices that appear within the compositions like ghostly presences. These vocal shards drift through the sonic landscape, punctuating Vigroux’s dense electronic textures and amplifying the album’s sense of tension and movement. At the heart of the project lies a deliberate contrast: the collision of raw, almost primitive sonic force with an underlying sense of compositional sophistication. Vigroux crafted the music with an ear for immediacy and physical impact, exploring how rough textures and driving rhythms can coexist with intricate sound design. The album was also inspired by two unusual invitations that pushed the artist beyond his typical performance environments: a rock and punk festival in France and a series of techno club performances in China. These contexts led Vigroux to imagine music whose primary purpose was to move bodies on the dance floor — an approach that marks a new direction in his work.

For Vigroux, the challenge was particularly compelling. Alongside his musical practice, he frequently collaborates with dancers and stages multidisciplinary performances known for their radical physicality. With this new album, he brings those parallel worlds together, completing a circle in his ongoing exploration of the relationship between sound and the moving body — where composition, rhythm, and physical motion converge.

After thirteen years of silence from the compound, during which anticipation has grown day by day, Boards of Canada finally return. Inferno retains their signature melodies and atmospheres, drawing on the esoteric influences explored in Societas X Tape (their 2019 NTS mix for Warp Records’ 30th anniversary) and the darker ambience introduced on Tomorrow’s Harvest, further deepened by an expanded role for speech soundbites.


Spanning seventy minutes, the new album is available on special edition limited red translucent 2LP vinyl in triple gatefold sleeve with a 16-page booklet, black 2LP vinyl and CD with 20-page booklet.

After three earlier striking releases from various artists on the Doublecross imprint commonly known as the "Noise Trilogy", another chapter comes to a close: DJ Easy B wraps up his very own trilogy with the release of the EP: XX 666: Apetite For Distortion.
This EP features 3 remixes from Easie's debut EP. None other than the mighty Umwelt delivers a remix of Streetlevel. Easy B himself joins forces with the legendary Freddy Fresh, straight from the USA, for a reimagined version of The Acid Game. On top of that, Easy B takes another deep dive into The Acid Game with his own remix.
Crank it up. Feed your hunger

Starting in 2021 the critically acclaimed Next Wave Acid Punx series has seen Luca Venezia, aka Curses, celebrate the music that has shaped both his life and career. Across the first two compilations Luca took us from the industrial and post-punk sounds of the late 70s,through the emergence of EBM, new beat and freestyle in the 1980s and onto the music he both makes and plays himself in clubs today. Bringing the series to a close Next Wave Acid Punx TROIS sees the Berlin-based musician and DJ return full circle, this time exploring the sounds that first initiated him into Brooklyn's rave scene and the music that, in some way, continues to embody its eclectic spirit today.

Spread across three 2LPs and 3CDs Next Wave Acid Punx TROIS captures a moment whose influence can still be heard reverberating around clubland today. With the nascent rave scene obliterating boundaries, this was a moment where the darker, harder industrial electronic sounds of the mid 1980s were crashing headfirst into the ecstatic wave that was washing over clubland creating thrilling juxtapositions. Whether in the clubs and warehouses of New York, London, Frankfurt, Valencia and beyond, electronic music would never be the same again as countless new genres we take for granted today were born from the chaos and energy that had been unleashed.

Featuring 46 hard-to-find, new and exclusive tracks, Next Wave Acid Punx TROIS both documents that fertile period and shows how, despite rumours to the contrary, that early anarchic spirit can still be found today. From the Detroit Techno of Model 500 to Nitzer Ebb's EBM and the proto-Trance of Age of Love and onto brand new tracks from some of today's best producers such as Zaatar, Italo Deviance and Leona Jacewska, this compilation closes out a series that has to date revelled in exploring the darker corners of clubland in uplifting style.

This is Chapter 3.







[f] B2. Javi Redondo - HALT [Process]

10 years of El Hey, pressed into wax.

A decade of sweat, sound, and raw energy has led us to this: our 10 years anniversary various.
Six tracks, one vision, and zero boundaries.

From the deep textures of Dub and IDM to the groove of House, and the driving force of Techno, Break and Minimal, this record is a celebration of the eclectic sound we’ve been digging since day one.
Featuring the core family Antoine LV, Elhadji, Sebizarre, and NOCH, alongside special guests and long-time friends Camion Bazar and Wooka.

6 tracks. 10 years. One record.

Hedonistic club music from the mysterious Glasgow Sound System. Incredible productions from an artist that has appeared from the ether to bless our dancefloors with otherworldly and atmospheric tracks. Varied productions overspilling with excess and emotion. This record is split into 2 phases; the first comprised of 3 club-focussed tracks for dark rooms with a red light, the second phase are 2 downtempo trips to mellow the comedown. Welcome to the club, Glasgow Sound System – what a debut.

For the first me as a "single vinyl edion" the iconic and widely considered “anthem” Rave by
Sam Paganini, originally released on 2014 on his masterpiece album “Satellite”.
In addion to the original extended mix also included the “Speed Up 2025 Mix” that marked the
10 years Celebraon.

Mark Funk and Danny Cruz's Cruise Music label continues to offer-up the best of its digital-first EPs via the popular Vinyl Jams sampler series. There's a real sun-splashed, dancing-on-the-terrace feel to much of the music contained on this 14th volume in the series. Mark Funk steps up first with the loopy, filter-rich disco-house release of 'Never Never', which rises and falls in all the right places in search of hands-aloft action, before Makito drops the vibraphone solo-laden deep house-meets-garage-house flex of 'Heavy Vibes' (think Masters at Work collaborating with Roy Ayers and you're close), Over on side B, Danny Cruz serves up 'Sugar', a tooled-up, house-style re-edit of a joyous disco gem, while Filth & Smell's 'Panama Sweet Spot' is an electric piano and sax-loop-fired slab of thickset house funkiness.

Prince De Takicardie takes the reins at Opia for our 19th release, channeling a heady mix of polished trance and shimmering prog through his deep dancefloor excursions into all things euphoric. Bass lines twist and roll to ground the EP in a strong sense of pace and momentum while hazy pads and arpeggios whirl and hum to gently nod towards a mellower Balearic influence, all the while still maintaining the energy needed to slot neatly into a peak-time record bag.

Rarely-seen Delsin alumn Sentomea resurfaces on the M>O>S label with the Wonderment EP, brandishing a blissful quintet of tracks in his trademark style. Inspired by organic textures in sound and image, this release merges distinctive sound-design with raw improvisation and hardware-based live performance. A carefully selected set of tracks takes you along clunky Chicago house sounds, far away echoes from the NWAQ universe and lo-fi Detroit oriented journeys.

Fresh off the back of the successes of Work Money Death, The Flying Hats and The Library Archives: Volume 4, ATA Records is proud to present The Karman Line by Outer Worlds Jazz Ensemble.

When musicians are on tour conversations naturally turn to music. Two years ago, whilst exploring the jazz kissas and record stores of Tokyo, woodwind maestro Chip Whickham and ATA mastermind and bassist Neil Innes discussed their shared influences of Yusef Lateef, David Axelrod and Alice Coltrane. The seeds for a new project were sown and soon seven tracks of deep, spiritual, groove driven jazz were laid down and on tape.

The moods of the album are varied yet share a sense of reverence and exploration. On Karmen Cantala and All Is Chip’s flute floats and soars, propelled by dreamlike harp and waves of impressionistic piano. Low Orbit takes things in a funkier direction, arrangements with Steve Parry’s horn (including the unusual instrumentation of bassoon, French horn and tuba) channelling 1970s Quincy Jones and the loping swagger of Archie Shepp’s Mama Too Tight. The Celestial Matari and Molecules recall the flowing, cosmic sounds of Joe Henderson and Alice Coltrane’s masterpiece The Elements, and Earthly Elements gets earthy indeed. Driven by a heavy, dance-floor bass line and an array of percussion, Chips flute gets huskier, dirtier and more insistent, drawing deep from Yusef Lateef’s Psychicemotus and Roland Kirk’s Blacknuss.

Discoweey launched back in February with a collection of label head Hotmood's hottest digital tunes making their way to wax for the first time. Now he is back with a second collection of worldly hits that collide Latin, disco, funk and soul into colourful and hooky grooves perfect for outdoor dancing under the sun or the stars. 'Por Que Me Dejaste' is a global groove with Spanish vocals flair, 'Dancing Is The Only Way' is a smoother disco-house blend and 'My Love Is 4U' is a soul-drenched and feel-good retro number before 'Hot Beat' closes with jazzy and cosmic synth expressiveness and timeless house drums for all the magical feels.

Several years after the release of ‘Metamorphosis’ (with Sid Hille), Multicast Dynamics (Samuel van Dijk) reemerges on Astral Industries with ‘Circles’ - an enchanting two-part work venturing into deep unconscious realms. Sonic landscapes unfold in a sequence of hidden spaces and intimate revelations, featuring detailed sound design and rich thematic content.

Circle One initiates the process, opening gently with glassy drones and the patter of distant voices. A faint light shimmers through swirling pools of liquid memories and melting forms. The atmosphere builds, and everything is engulfed in the act of transfiguration. 

Passing through the threshold, Circle Two traverses further into cavernous territories. Boundless drifting soon becomes a gravitational pull toward something deeper. Submitted to the powerful undercurrent, incoming primordial pulsations signal a quest that reaches its fated culmination. 

Perhaps the revelation of something long-lost, entering the Circle eludes to that which on the surface remains hidden, yet its rediscovery inevitable.

The long-awaited reissue of Toba makes it clear, once and for all, to fans and industry insiders that disco music produced in Italy between the late 70s and early 80s had no chance of success. What was disparagingly called "spaghetti disco", considered a poor imitation of real American disco music, only good for Japanese cartoons. This was the main reason that prompted Italians to record their songs abroad, as Fratelli La Bionda with their pseudonym D.D.Sound in Munich. Luigi Figini, with "Supercool" and "Percussion Sundance" by Edo Martin and Pino Santapaga (the same as "Step By Step" by Koxo), claimed that Kash was a one-off Swedish disco project, a lie that came to light when an Italian test pressing from the previous year, made by GDB, was posted !!! Amin-Peck followed the trend of passing off their songs as foreign music on the intuition of their Roman producers. So ''Love Disgrace'' was released on 7'' by a label called Connection, which never really existed, created for the purpose by Giancarlo Meo, confident that this would bring success to the Bolognese duo who were already creating 'proto Italo-Disco tracks' with a new-wave trend. To make the whole operation seem real, the London agency Ellie Jay Ltd. was involved, contacting Andy Fernbach of Jacobs Studios Ltd. The vinyl was also produced in the UK, otherwise the deception would have been discovered, then imported to Italy by Best Record. Italo-Disco was officially born after this, in 1982, not before! Everything makes sense now ! Real events that actually happened and purely invented names and anecdotes. Just think, even the image of Tony Balch used for the cover of Toba was taken from Grand Theft's 1978 album "Have You Seen This Band?" and reproduced on the new redesigned cover, as were the heads of the other musicians. The idea of a real band called Toba had finally come to fruition and would lead to a second sensational success the following year. Now it all makes sense! Facts and anecdotes that really happened and names and circumstances that are purely fictional. Finally, everything adds up! Real things and invented names of musicians and collaborators. It's important to clarify what we've said above, but we haven't talked about "Make Your Mind Up" and "Don't Take It" and the two masterful remixes performed by Dave Mathmos. In short: with the original versions we'll make Italo-Disco purists happy, with the remix versions we'll please new younger followers with more modern sounds and versions more in line with today's tastes and trends.

The third release on Children of the Sun welcomes Argentinian mastermind Dani Labb.

We are delighted to present this EP, a body of work that perfectly captures Dani Labb’s sonic wizardry. Through a collection of versatile tracks that engage the mind while retaining a deep emotional undercurrent, the record resonates deeply with the ethos behind the COTS aesthetic.

Each piece unfolds with its own character, blending hypnotic rhythms and emotive textures into a journey that reflects both the artist’s vision and the spirit of the label.

DJ Ron's forgotten classic 21st Century finally gets the release it deserves, arriving on 12" black vinyl alongside a brand-new Bladerunner remix Originally recorded for DJ Ron's debut album Quintessence back in 1997, Hospital Records proudly welcomes it back into the world in style. The A side carries the original in all its glory. 21st Century is a timeless and futurefacing weapon - analogue at heart, hand-controlled automation and carefully curated sounds take you centre stage, giving it a unique, personal texture and depth that has lost nothing with age. Flip it over and Bladerunner steps in with an equally powerful B side remix, bringing his own vision to a track that was always ahead of its time. Born and bred (and still resident) in Hackney, career-long Rinse/Kool FM DJ, the first jungle/ D&B artist to record an Essential Mix for BBC Radio 1, host of the London Something podcast and more, DJ Ron is a multi-faceted creative and an uncontested foundational figure within jungle and drum & bass. This 12" is long overdue. The first time that DJ Ron's '21st Century,' taken from his unsung debut album, will be available digitally & physically alongside a fresh remix from Bladerunner. One for the heads - this one is all about flying the flag for DJ Ron, one of the foundational figures of jungle and drum & bass.

''Next Moov Records continue with a 10'' release of the highly reccomended reworks by NYC's DJ Erv with Classic Vybes and Mystery.''

Whodamanny reworks from original master tapes 2 Italian Electronic Disco & Boogie gems! 1st volume of 2. Strictly Limited Edition on vinyl.

TSSRCT returns with a significant new chapter: its third release, entrusted to Antigone. Across three carefully sculpted pieces, the French artist explores a territory where deep resonance, fragile melody and stripped-down structures converge. More than a return, this EP stands as a timeless statement, reaffirming both Antigone's singular voice and TSSRCT's evolving sonic vision.

“Dance Music That Hurts” — the motto of Work of Intent.
Hurts, because it goes straight to your heart.
There’s no better way to put it.
His productions are rooted in the UK underground,
dripping with both techno and pop sensibilities.
This is “big room” like you’ve never experienced it before—
music you can’t ignore, driven by storytelling and raw emotion.
He’s found a home on labels such as Monkeytown, Turbo, and REKIDS, and continues his relationship with Laurent Garnier’s COD3 QR .
Founder of the clandestine edit factory *Emotional Weaponry*,
he continues to receive support from industry heavyweights.
Former manager of *DAYTIMERS*, the UK-based collective championing
South Asian sounds, stories, and voices,
and a highly sought-after mix engineer for some of the UK’s most exciting prospects.
We’re beyond happy to welcome Roshan Chauhan aka Works Of Intent to the family.
Feels like the beginning of a long, dramatic love story.

Credits:
Written and produced by *Works of Intent*
Distributed by *One Eye Witness*

Since their ground-breaking US debut the Amigos have lived a double life. In their hometown of Caracas, Venezuela, they"ve hosted underground club nights for years (the most recent called "Super Sancocho Variety"). Then, insouciant single-entendre songs like "Sexy" and the doggy-style anthem "Ponerte En Cuatro" landed them on MTV and radio, and before long, the six young men found themselves pop idols. It wasn"t hard, but their hearts remain on the dance floor and in the clubs. AREPA 3000 is live instruments, start to finish. "Electronic music tries to simulate human sounds," says the guitarist. "It"s really easy to buy a groove box or an 808 to make us sound like techno. So we try to get those sounds from our instruments, to go the other way. Make the human sounds sound electronic. When we do our club shows, I"ll spin before our set and we"ll add live instrumentation. We can play four, five hours like that.

For almost two decades, Igor Škafar has honed a own unique sound. Warm and nostalgic, the Slovenian artist melts unctuous analogue tones with subtle percussive patterns. This palette is at the heart of Ichisan’s fifth appearance on Bordello A Parigi. An undulating and understated introduction ushers in “Erotika,” the cosmic gazing sounds of the 1970s and the turquoise waters of Balearic flowing as one. Swirling space synthlines are countered by punchy beats, fudgy basslines balanced by the gently rippling melody. The break offers new directions, drum patterns scatter before regrouping around those sunkissed scaling chords care of Škafar’s impeccable craftsmanship. The beats take on a disco snap for “Midnight House,” a smouldering snaking synthline unfurling itself to glorious heights. Bongos and toms support the sci-fi dipped keys of this seven-minute journey into the musical mind of Ichisan. Two tracks that offer a deep dive into the sounds of a truly singular artist.

The endless world of ’80s Italo music offers us yet another previously unreleased gem; Caroline Vita’s “Out Of Order” has been rediscovered in the tape archives of the Interbeat catalog, recently acquired by Cinedelic, of which Mondo Groove is a sublabel. The British-born singer performed the song at numerous festivals of the time (1983) that were broadcast on Italy’s national television network, RAI.

The separate tracks allowed DELPHI (Tiger & Woods) to remix it in the style he felt was most fitting: Italo Funk and early New Jersey Freestyle.

"Happy Today" is the third album from guitarist/bandleader"s Jeff Parker"s long-running ETA IVtet, recorded live at Lodge Room in Los Angeles on August 20, 2025. This fresh entry into the IVtet"s catalog captures the instantly recognizable group sound of Parker and the band - including drummer Jay Bellerose, bassist Anna Butterss, and saxophonist Josh Johnson - on record outside of the now-shuttered Highland Park micro-club ETA for the first time ever. "Happy Today" is that sound - the IVtet"s signature syntax built around long-form, minimalist improvisation - expanding confidently into larger space while creating the same hypnotizing, deeply-tuned listening effect on visibly enraptured audiences. The album contains two sidelong pieces recorded as the band performed in the round at Lodge Room, surrounded by an audience of 400 or so deep listeners.

Hardt Antoine returns to Crosstown Rebels with emotive new release ‘One More Night’, featuring Charlotte OC. Set for release on 24th April 2026, the French-Jamaican artist links with the UK singer-songwriter, backed by a remix from Echonomist.

A warm, late-night glow pulses through ‘One More Night’, as Hardt Antoine returns to Damian Lazarus’ Crosstown Rebels for his first original release on the label, adding to his captivating remix of Henri Bergmann & Wentink’s ‘Guardian Angel’ in 2024. Anchored by Charlotte OC’s striking delivery, the track draws on the pull of classic disco and modern club sensibilities, balancing introspection with pure dancefloor drive.

On remix duties, Greek DJ/producer Echonomist reshapes the original into a blissful voyage, layering skippy rhythms and shadowy textures for an emotive late-night ride. Rounding out the release, ‘Dreamstate’ offers a complementary original from Hardt Antoine, leaning further into his melodic instincts with a fluid, atmospheric groove.

Hardt Antoine’s output and sound draws on his French and Jamaican heritage, weaving house, techno, soul, and 80s influences into a sonic identity defi ned by rich melodies and groove-led songwriting with recent releases on the likes of Innervisions and KompaktMeanwhile, Charlotte OC brings her distinct vocal talents to Crosstown for the very first time. Following a return to her hometown of Blackburn and a renewed creative focus, her recent work leans into raw, self-assured songwriting, blending vulnerability with strength - qualities that sit at the heart of ‘One More Night’.

Entering into the portal once again, The Black Lodge releases its 9th offering, this time a full EP from Russian hardware wizard LVRIN. 6 tracks of dark psychedelic electronics traversing through Jakbeat, Techno, Industrial and Krautrock sonics - guaranteed to take the dance floor to the beyond!

A label compilation can be the first sign of a new cycle. After years shaped by individual trajectories, it brings the focus back to what made scenes powerful in the first place: shared language, mutual influence and a sense of collective movement.
For a label built on deep rhythm, organic textures and emotional drive, this carries an even stronger meaning. These musical spaces hold connection, memory and exchange at their core.

In this light, a compilation becomes more than a format: it becomes a statement of identity, a meeting point where different voices contribute to one evolving vision.
“MoBlack presents: MELODIC NIGHTS” marks the start of this new MoBlack path guided by careful curation and artistic exchange, blending percussive depth with a more melodic approach.

The result is a four-track selection navigating different shades of introspection and release, held together by a strong and recognizable sonic character.
Klement Bonelli – “It’s My Life” sets the tone with a bold, emotionally charged cut that balances melodic lift with a club-focused pulse. it’s jud, MR.FULLTIM€ – “Jackfruit” adds a distinctive twist to the journey, playful in texture yet precise in its impulse, widening the palette with character and movement. Jay’ (CH) – “Our Fire” leans into atmosphere and intensity, building momentum through evocative harmonies and a steady emotional current. Max Zotti, Blaxx – “Release Your Pain” closes the collection with a cathartic, rhythm-led energy, delivering what feels both intimate and dancefloor-ready. More than a one-off release, “MELODIC NIGHTS” introduces a collection designed to highlight converging sensibilities, where each track stands on its own while contributing to a wider narrative.

Artwork by Rachael D’Alessandro. Executive producer Mimmo Falcone. Distribution by Muting The Noise.

limited repress! marbled vinyl. kicking house tracks

This first new volume of edits from Big Baba finds Elado digging with intent rather than on a purely nostalgic tip. Fresh off his Razor-N-Tape run, he opens the series by rewiring rare global grooves for contemporary club floors. The EP moves fast and wide as Bollywood disco mutates into techno on 'Disko Disko!', while Yeah Yeah flips obscure 80s Thai boogie-funk into something elastic and punchy. 'EL SOL' slides in as a proto-house warm-up weapon, patient but charged. Then there's 'YOR YOR', a joyous Bukharian disco edit that feels almost mythical in its rarity. Colourful and confident, and full of heat.

Somewhere between revelation and delusion, Euphoria Bound maps a familiar trajectory: the irresistible pull towards dissolution, the gradual erasure of memory, the self rendered irretrievable. It moves between states of consciousness where such distinctions of enlightenment or self-deception are erased.

Across ten tracks, the album constructs a spectrum of sound that is both ambitious and Uncompromising. The approach here is more direct than recent releases, with textures that accumulate and disintegrate with renewed urgency.

Leipzig’s stbr (half of Submod) and Davy (co-founder and curator of Crème Club) team up for EP of minimal/tech house on R.A.N.D. Muzik Recordings

a A1 Hello

It’s 5 AM, the world is still quiet as dawn begins to rise. While most are asleep, a few of us are in the final stretch, finishing last edits or easing into the day, surrounded by scattered notes in the living room with a sleepy cat nearby.

5 AM Study Session is a tribute to the early risers and the night owls. This collection of 34 tracks carries early-morning focus and momentum, guiding you through the quiet and setting the tone for the day ahead. Sunlight slowly peeks in as the melodies play, creating a soundtrack for productivity and peace.

The physical edition captures the warmth of a fresh cup of coffee: pressed on double "Morning Latte" marble vinyl, the swirling beige and brown tones mirror the cozy, studious atmosphere of the artwork. A tangible reminder that the best work often happens when the world is still.

Slip on your headphones, pour a hot drink, and let the sunrise guide your workflow.

You can always rely on Burnski and his many labels to keep DJs and dancers well-oiled with plenty of fresh house and garage tackle in various different guises. Constant Black keeps it stripped back with this new one from Rotterdam resident Fabio Santos. 'Midnight Protocol' is an ice-cold stepper, and 'Duster' gets more sleazy and raw with a heavy house foundation. There's wub-wub filth underpinning the garage shuffler 'Breather', old school ragga vibes on 'Request To All Junglist' and 'Conspiracy' is a light-footed hot-stepper with mutant energy. An absolute no-brainer that will become a go-to for months to come.

This is a highly limited pressing, please order your desired quantity and we’ll see what we can supply.

We are pleased to be back with the talented Groof, the experienced producer from Madrid’s legendary electronic music scene, who is responsible for our eighth release and his debut on Kontralamakina.

We welcome you to “Simulation.” This EP/LP consists of a collection of 5 tracks that explore repetition and dynamism, with structures generated by various noise sources and algorithmic sequencing with a raw and forceful sound. It consists of excellently stomping techno rawness exercises.

Plus 1 remix by the techno legend Oscar Mulero Remix; Outstanding mind bending tools, Expertly careful Drone treatments, Stunning, deep, atmospheric but energetic Techno voyage.

More unknown artist business from the Only Music Matters crew and it's a case of more essential minimal across three fresh cuts. The first manages to pair the sort of drive you need to keep you locked with some swirling, heady pads that encourage letting your mind wander. After that full-sided odyssey, 'BBB001B' stars the flip with tighter, more rubbery drums and bass and alien sounds weaving in and out. 'BBB002B' shuts down with some tech-y loops and a little more menace and mischief in the clipped vocals and wispy synth modulations.

2026 Repress

Deetron is a venerated veteran who has been crafting sublime house and techno for three decades on a range of influential labels. 2025 brought another busy year for him, with another standout EP on Ilian Tape followed by his latest album which landed via Running Back in October. Back in 2024, he dropped his 'Translate Rhythms' EP on Mutual Rytm's X series and now takes charge of the second release on SHDW's new sub-label Mutual Rytm Raw - following the first 12" 'You And Me', which was a true summer anthem courtesy of KiNK & Raredub.

In its original form, the bright, expressive 'Flow' is a fulsome techno cut that pairs a driving rhythm with sophisticated synths. It sparkles with cosmic energy, while a textured, screwy lead winds through the mix and euphoric female vocals burst out to big emotional reactions. The 'Chord Dub' is a tight, bouncy rework with vamping chords lighting up the drums with real warmth and soul, while the 'Breakbeat Mix' fizzes with rich, old school energy. The dusty breakbeats demand physical reactions, while the pads bring a grand sense of scale and the vocals tug at the heart. All three are classy, effective and offer yet more timeless sounds.

Dream Ticket is back with revved-up snarling electro from Barcelona: the grinding circuitry of synths pushed to their limits, highs that slice the air, the squeal of tires on tarmac right before impact. Watch out fugitives, The Future Corporation is on your tail.

Needlewreckordz drops a heavyweight 7" for hip-hop and funk lovers with a great collision of source materials, making for sharp edits with undeniable groove. Opener 'Doin It (In The Park)' features a classic refrain from a Detroit jazz great, but layered over a funky groove that never quits. On the flip, 'Madness' slows the tempo with a more deep cut and rolling groove that brings slick r&b vocals that tug at the heart while bumping kicks and hip-hop fragments further flesh out the fun. Plenty of familiar touches dropped into irresistible grooves make this a gem for party-starting sessions.

Sans-i, the new brainchild of Sunny Seppä, aka Sansibar, is a project that takes a deeper dive into a more expressive, expansive and entropic world. The debut Fenno Dub is a two-track EP featuring “Science” and “Paranormal.” Both tracks echo (…echo, echo, echo…) from different sides of the same coin—which one will you choose? Sans-i stirs a potent brew on the Fenno Dub EP, where the sound emerges from the continuum of The Bush Chemists, The Disciples, Jah Shaka, On-U Sound, Conrad Schnitzler, and The Slits, just to name a few.

Long requested and previously confined to the digital realm, Spaceship Galliot and Sabre-tooth Animal now materialise on wax - pressed as a very limited 10" edition

To see the DJ support in action click this LINK

DJ Support: Rossi, Josh Baker Jamback and many more

A very limited 300 only hand numbered 001-300 run of this much sought after Miami & Coachella heater from the mysterious Larry Latenight project

300 Only get in quick!

Just after the success of its first solo EP, Supervision Records returns with its fifth release - another standout solo project, this time delivered by the talented b0n.

Packed with five high-impact tracks, this EP bursts with intensity, punchy energy, and an abundance of groovy sounds. A powerful and refined new chapter for the label.

Sound Synthesis. Four tracks. Analogue systems. Acid motion over faded structures. Electro pressure. Broken sequences. Direct impact. Internal drift. Signals extend beyond function -- suspended, displaced. Rhythmic force / latent space. No narrative. No ornament. Transmission.

Planar Traits adds to the Spectral Bounce catalog with SPEC08: Distance EP. Since 2021 the Stockholm-based artist’s creations have combined evocative soundscapes with dancefloor functionality. Here he steps up with four hydrographic cuts spanning the groove-led, the mysterious and the cerebral.

Beginning the expedition with the type of psychedelic and lithe tech-house for which Spectral Bounce is known, the A-side is glistening with aquatic shimmer. “Variations in Hue” and “Distance” are club cuts embellished with mystical melodies and sonar pulses, both propelled by chunky drums and driving sub frequencies.

The B-side goes deeper, revealing a more contemplative zone in which soft echoes of Detroit (“Bloom”) are spliced with 1990s Artificial Intelligence sensibilities (“Never-ending Light”). A perfect soundtrack for living room transcendence, as much as pelagic immersion.

SPEC08 — Dive in!

Credits:
Words by Cameron Leaf
Art by Susanne Janssen
Mastering & Cut by Analogcut

Ben Sims' mighty Symbolism returns! Mike Storm cuts including renditions from none other than Surgeon and Troy.

XPRESS Singles Vol.2 is here, and its a certified dance floor weapon. Here at TDE we're stoked to welcome back mystery London duo Dirty Supercar with a brand new cut, Nothing But The Music.

Powered by the deep, soulful vocal of Elliot Chapman, it’s a direct call to the floor. Lush, emotive strings glide over choppy 70s guitar licks, all driven by a throbbing house kick and bouncing bassline combination that hits with precision. It’s a confident, fully-formed house record that speaks to both classic and contemporary sensibilities.

On remix duties, Italian house music heavyweight Angelo Ferreri steps in with a fresh rework that’s already slamming our worldwide parties. A consistent force in the global house scene for over a decade, Ferreri’s catalogue spans chart-topping releases, millions of streams, and support from the scene’s most respected selectors. Regularly ranking among Beatport’s top-selling artists, his signature blend of groove-led, feel-good house is unmistakable. Here he delivers a version that’s primed for peak-time impact. Tested, refined, and truly defined house heat.

Fesh off strong support from Purple Disco Machine, DE SOFFER returns to TDE in fine form. The nu-disco specialist delivers two standout remixes, reworking 20 Buck Funk by Bustin’ Loose and Hot by La Felix. The latter was one of our label’s biggest records of 2025 and gets a slick extended treatment. Meanwhile, 20 Buck Funk is reimagined with a sharp, modern nu-disco edge. Both featuring West Coast's Relaye on the rap, these're both tight, energetic, and fiery Nu Disco bangers ready to cause club carnage.

A seriously strong vinyl package from front to back. Pressed on a limited run of 300, this is one for the collectors and the selectors alike.

Hotshot producer D*v*d J*cks*n heroically revives the legendary Puss label, home to some of the most enticing, scandalous and straight out illegal dance music released across the
last 13 years, all supposedly masterminded by K*rn*l K*v*cs of St*d** B*rnh*s fame. Three reasons for this sudden revival: One trancetastic take on a deep cut from the queen of
Swedish pop, an instantly engaging UKG flip of an eternal dance hymn and, lastly, a rugged faux-Baltimorean nugget for all the Kittenz out there.

Fiscal man of mystery, Clive From Accounts is back!
Fresh off the heels of his well received debut album on Razor N Tape, “The Very Best of Clive From Accounts” comes his new concoction, “Income Trax Vol. 1”.
The 3 track EP kicks off with “I’ve Been Waiting“, a 90s piano laden up-tempo house track with a twist of soulful sampled flute and vocals.
“Every Time” is a filtered deep disco house roller built around lush string samples, live bass and soulful vocal cuts. It’s sleek, assured and festival-ready.
“Superfine” clocks in and turns the energy up. A snappy pop-disco number powered by punchy strings, big vocal hooks and catchy synths. Operating somewhere between the dancefloor and the stationery cupboard.

In an engrossing lattice of polyrhythmic beat science and deep atmospheric meditation, Samurai Music is thrilled to welcome Marco Shuttle to the fold for the Sumud EP.

Since his early years locked into the 00s London techno scene, Marco Sartorelli has developed as an artist entirely on his own terms. Through the rush of new ideas and cross-pollination that has characterised cutting-edge techno over the past 20-odd years, Sartorelli has travelled as Marco Shuttle from one considered stylistic concept to the next. On his own Eerie label and across expansive releases for respected outposts such as Spazio Disponibile, Incensio and Astral Industries, he's taken an exploratory approach to rhythm and spatial design while always drawing on intentional thematic frameworks, creating distinctive and immersive dance music in the process.

As Samurai Music continues to celebrate the rich seams of inspiration where deep techno and drum & bass intersect, Sartorelli's malleable, mysterious strain of drum work fits right in and sets a captivating tone for the label's operations in 2026. 'Sumud' is a steely drum mantra dealing in fractured patterns with the primal patina of the early Artificial Intelligence era, while 'Las Dunas de Taroa' leans on gently pulsing melancholia undulating at a half-time pace. 'Iso 50' taps into raw, analogue minimalism once more, evoking the sound of Roman Flugel's Ro70 records in their icy, alien formation. Completing the set, we're guided towards the tense electronica of 'Polylayering What I've Got', where uneasy melodic chimes interlock with intricately programmed drum machines.

There's a distinct sense of golden-era, mid-90s electronica coursing through Sumud EP, but Sartorelli shrouds the classic tools at his disposal in his subtle signature atmospherics, pushing towards a plain of expression that transcends time.

Aaron Coyes (PEAKING LIGHTS, LEISURE CONNECTION, NTS) is back with part 2 of this 3 part series under the EXOTIC GARDENS moniker.

This time, the listener finds themselves sauntering into the post-noon hours with a little more grit: Acid synths, distorted phones ringing, some hungover spoken word samples and even the sounds of a Monchichi if you listen closely enough.

But at the heart of it all remains the same backbone that made his 2024 "MORNING DUBS" a surprise hit for Pinchy and Friends: infectiously deep, perfectly produced psychedelic dub
grooves.

Coyes has had a busy year. He released another Exotic Gardens EP on the Emotional Response label, indulging his more distorted, shoe gaze and post punk passions (and sounding much different to his work with P&F). He also worked with fellow P&F artist COYOTE on the "Love Letters" EP. (2025- Is It Balaeric???)

Now that we are 2/3rds into the day, one can only wonder…what will the EVENING bring???

4 carries on the celebrated series, showcasing selections from the legendary Sub-Urban catalogue, bringing together a selection of classic garage house cuts from some of the scene’s most respected names.

Featuring standout tracks from Tommy Musto under both his Tribute & Unifunkation guises, Kenny Dope as well as Matthias Heilbronn & Mike Delgado as Lift, the release captures the soulful, groove-led sound that helped define New York and US garage house throughout the 90s.

Including favourites such as Kenny Dope presents James Rouse’s Dance and Unifunkation featuring Alexander East’s Feel Me, this fourth volume brings together a selection of proven club records in one DJ-friendly vinyl package.

CEPX002 is around the corner and marks the second chapter of the X Series on CEP Records. With this release we welcome vinyl head Eubo from Glasgow to the label. From the first track he sent us it was clear that this is the direction we want to push. A strong old-school influence, shaped by vinyl culture and the energy of the early two thousands. The connection felt natural from the start.

A1 'Iron' is probably the most intense track on the record. A rolling bassline, sharp and slippy drums, and a lead that lays over the track with deep mids. It brings a short moment of calm, while the drive stays constant. A2 'Aluminium' stands out with its clear high hats and a modular synth that recalls sweaty and dark mornings. The sound has a slightly hypnotic and metallic touch. On the B side, 'Steel' moves through the interplay of its synths. The kick and bass stay steady and driving. A timeless track that can underline the peak moments in a DJ set. Closing the release is 'Lead'. It brings a funky bass together with serious, almost contrasting synth stabs.

Mastering by Paul Mac

In-demand AfroColombia Remix Vol. 1 finally repressed!
A collection of Afro-Colombian classics (Champeta, Son de Sexteto, Currulao) revisited by talented producers from the global club scene.
Ten years ago, a sound was born that bridged roots and reinvention. Today, Galletas Calientes Records is proud to announce the official reissue of AfroColombia Remix Vol. 1 on vinyl, in collaboration with legendary Colombian label Palenque Records.
Originally released a decade ago, this project brought together visionary producers and timeless Afro-Colombian rhythms, creating a dialogue between tradition and the global electronic underground. Now, remastered and pressed on wax again, the record returns with renewed depth—warmer, richer, and ready to be experienced the way it was always meant to be heard.
This limited vinyl edition celebrates the legacy of the original release while honouring the artists, communities, and sounds that inspired it. Whether you’ve been with us since day one or are discovering it for the first time, this reissue is an invitation to reconnect with a pivotal moment in Afro-Colombian musical fusion.

Bosconi Records returns with Tangled Waves Vol. 2, the second chapter of the series—this time expanding the concept into a four-artist VA, diving deep into progressive house and neo-trance territories while keeping that unmistakable timeless, old-school spirit alive.
Like shifting currents moving in parallel, Tangled Waves Vol. 2 brings together different voices, each following their own path while converging in the same flow—crafted for longevity, built for the dancefloor.

The EP opens with Fly High by DJ Glc, founder of Digging Deeper records and already known to the label through his contribution to the Home Cooked Beats compilation. Here he delivers an epic italo-infused progressive cut, driven by a classic rolling bassline and lifted by a futuristic arpeggio that bridges past and present. Hypnotic, warm, and undeniably effective—pure late-night material.
Next up is Strange Gift by rising artist Little Sea, founder of Sea Horse Records. A high-energy progressive groover with a clear nod to ‘90s classics, the track blends a punchy forward-moving bassline with bright melodic flashes and a sensual female vocal in the breakdown—making it a proper peaktime weapon with emotional depth.
On the flip side, Matteo Guarnieri (aka Rare Happiness) makes his Bosconi debut following a standout release on Kulture Galerie. His track Roller Disco Truck merges old and new with ease—leaning into a tech house framework with a distinct groove, textured stabs, and a subtle arpeggio that adds a psychedelic edge. A playful yet driving cut with strong character.
Closing the EP is Stargazing by Andrea Mera, also debuting on the label. A soft, mesmerizing progressive journey, the track unfolds with lush pads, a fluid atmosphere, and a gently evolving energy. With its warm 303 touches and emotional depth, it feels like a timeless closing moment—introspective, romantic, and built for those final hours on the floor.
With Tangled Waves Vol. 2, Bosconi introduces a new wave of artists while staying true to its roots—delivering four carefully crafted cuts that balance nostalgia and forward motion. Another essential addition for the bag, made to last.

Since the early 2010s, photographer and producer Izaak Schlossman has been surreptitiously using the Topdown Dialectic moniker to frame his most enigmatic and most psychedelic productions: faceless pure sound experiments that ogled dub and techno archetypes from somewhere far beyond the veil. This generous 2LP collection surveys over a decade of persistent activity, pulling together recently unearthed gear written between 2013 and 2016 (the same time period as the iconic Peak Oil trilogy) and muddling it with more contemporary material. It's a rare chance to fully comprehend the slow, measured evolution of the project: its genesis as a method to fractalize various bass music frequencies with suggestion rather than over-compression, and its ongoing advancement through sensitively finessed ASMR ambiance towards spangled neo-psychedelia.

So it's no surprise that the lengthy suite of five-minute snapshots was initially devised while Schlossman was preparing for his first ever Topdown Dialectic live appearance in 2025. A hazed early morning, open air performance that's still lodged in the memory banks of anyone who witnessed it, the set provided the narrative anchor for the album, blurring the past and present and reaching tentatively into the future - ideal material for audiences whose brains are fully plasticized. The tracks, while divided, sound as if they're breathing over and into one another; beats and phrases materialize and dissolve just for moments, leaving the mind to fill in the gaps with any available sonic material. What might reflect the bright neon light of acid house at first soon embodies the flicker of a candle over a desk of drum machines in a Midwestern basement, or the first blush of sunlight over a tiny campground as subwoofers creak in the distance.

It's music that asks the listener to be involved in the creation itself, projecting their own shapes on the negative space, their discreet fantasies on haunted stretches of near silence. Schlossman's identity was never the point, Topdown Dialectic was always a scrying stone intended to divine far more personal revelations.

Franky Rizardo delivers a straight-up dancefloor weapon with Shinjuku. Already taking over clubs and airwaves across the globe, Shinjuku is rapidly shaping up to be one of the defining records of the summer. The track built huge momentum before its official release, generating more than 71.1 million TikTok views through clips from Rizardo’s club and festival sets. Driven by a rolling groove, punchy low-end and a direct, high-impact arrangement, Shinjuku captures the infectious energy that has become synonymous with his sound. Road-tested around the world at venues and events including Space Miami, Reframe Los Angeles and his More To Life showcases at Ziggo Dome and Coachella, the track has become a standout moment in Rizardo’s recent sets and a crowd-favourite wherever it lands. Built for peak-time impact while maintaining Rizardo’s signature groove-led style, Shinjuku feels perfectly positioned to soundtrack summer dancefloors worldwide.

Alina Valentina ignores rule books. When it comes to making music, she bends genres to her own sound and vision. Acid, electro, synth wave, vocoders. All are melted to produce a bracing style that is floor focussed and strikingly individual. It is this distinctive perspective that The Hague based artist brings to Schrödinger’s Box for NPC Dream, eight tracks that map a journey that disregards genre limitations. The intent and mood are immediately set with the fierce “Air Slasher” plunging through the fog as kicks roll and beads of acid bulge. Raw electro is further coarsened by scything keys and vicious vocoder words in the title piece before the technoid mutations and pain-streaked “Echo of Ecco.” The ground is never stable, the direction and ideas darting and shifting to new sonic territory. Punishing and pure, “Mine Cart Madness” is EBM-encrusted cruelty. Tempos shift on the flip, the slow and cinematic atmosphere of “Pixel Swamp” feeding into the sinister and snarling snares of “Wishing Engine.” Paranoia and tension collide in the stabbing chiptune chords and spiking percussion of “Come Get Some”, acid barbs ballooning into a blistering barrage in this warped wrecking ball. “Light Warrior” is cut from the same raucous cloth. Knobs splinter against machined lyrics, sirens blare as kicks thump in this basement lurking beast.

NPC Dream is a relentless record. From the needle drop, Alina Valentina enforces her sound as she teases and taunts styles. Fiery and brimming with energy, this 12” encapsulates the sound of an exciting talent who carves their music with a truly unique ear.

“Passion” is back! The new track from producer/DJ Beltran and The Flirts (including some “Native Love” by Divine) has quickly become a fan favorite in his sets and online, with 500k+ views already. Now available as a special 12″ vinyl release, featuring an exclusive Ben Liebrand 12″ vinyl version made especially for this edition and only available on the 12″.

The release is shaping up to be Beltran’s biggest since his breakout club hit “Smack Yo’”, supported by Michael Bibi, Mochakk, John Summit, Pete Tong, Dom Dolla and more, and now boasting 100M+ streams. It follows a huge year for Beltran, including tours across the US, UK, Europe, Australia and South America, with standout appearances at Coachella, CircoLoco Ibiza and KOKO London. Expected shipping: 2nd week July.